Studio Light Stand
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Light Oak / Maple Stain Rolling Kitchen Microwave Cart with Power Strip |
DescriptionDon't you just love this design? It's unique and artistic and the light oak / maple stain is simply beautiful. This is a convenient practical steel unit that has many uses. Great for storage of everyday kitchen items and the microwave plus shelves for odds and ends... |
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Once In A Blue Moon: The Lost Album
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DescriptionIf Once In A Blue Moon hasn't exactly been the Holy Grail for the Rod Stewart faithful, it's only because we didn't know what we were missing - until now. This unqiue collection of covers recorded in the summer 1992 is Maestro Stewart at his interpretive best - that magnificent voice yearning, pleading, and shouting in all its gravelly glory while serving as a lethal instrument for the legendary producer Trevor Horn... |
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The Sea of Memories (Deluxe Edition) [2 CD Set - 6 Bonus Tracks]
Sale Price: $9.99 |
DescriptionThis deluxe edition of The Sea Of Memories includes a bonus disc featuring 6 exclusive bonus tracks: "The Year Of Danger," "Ghost," "Lay Down Your Guns," "The Sound Of Winter (Junior Sanchez Remix)," "The Afterlife (Remix by Washroom & Bass Over Babylon)" and"All Night Doctors (Remixed by Renholdër)... |
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Come Through For You (Special Edition with 2 Bonus Tracks) |
Description2011 release from the winner of the first season of the NBC television show The Voice. This special edition includes two exclusive bonus tracks: "A Drop In The Ocean" and "Stitch By Stitch." |
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Accent Metal Shade Floor Lamp - Coaster 901199
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DescriptionThis contemporary arc shaped Floor Lamp will make a bold statement in your home. This unique Floor Lamp has a graceful form that features a stem reducing in diameter over its entire height. The artistic form and shade is given a sheen with its metallic finish... |
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Designers Edge L14SLED 1000-Watt Twin-Head Adjustable Work Light with Telescoping Tripod Stand, Halogen
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DescriptionThis two-light 1000-watt halogen work light from Designers Edge Home comes equipped with a portable sled base and tripod base, making it ideal for any home or work job. The new comfort grip and heavy-duty handle mean transporting this work light is a breeze, and its adjustable extension leg allows for great results, even on uneven work surfaces... |
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Baxton Studio Arco Lamp Cube-Shaped Marble Base, White
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DescriptionArco Style Floor Lamp constructed of a steel arch, cube marble base and a simple shade, uses a 60 watt bulb (not included). |
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Vasst Training DVD: "Understanding Copyright Law", What You Need to Know (Kenneth R. Wallentine, Esq)
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DescriptionUnderstanding Copyright Law What You NEED to Know, with Kenneth R. Wallentine, Esq. "Understanding Copyrights: What You NEED to Know" is the first video of it's kind in the multimedia training world. Join Kenneth R... |
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Cooler Master Notepal X2 Notebook Cooler R9-NBC-4WAK-GP
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DescriptionWith efficient functional and superb silent concept in mind, the NotePal X2 creates optimal comfort for laptop users. Either on a desk or on the lap of an on-the-go user, the NotePal X2 takes air from a bottom intake and cools down high temperatures with its 140mm silent fans, dissipating the high temperatures generated by the CPU and GPU trapped inside the laptop housing. |
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Microsoft LifeCam Cinema 720p HD Webcam - Black
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DescriptionConnect with clients and coworkers in HD720p HD widescreen sensorAuto focusTrueColor technology for bright and colorful videoClearFrame technology for smooth detailed video |
Light is Your Crayon - and There's Always Another Color in the Box
In 30 years of photographic experience, I’ve made several great friends who work in Photo Labs. When asked about the biggest mistake they see every day; the response is always the same. They usually answer after a long sigh, "These people just don't understand light."
Remember: all cameras average the existing light. What that means is, just because you can see it . . . doesn't mean the camera can. The human eye is far more sophisticated than the most expensive camera money can buy. If . . . for example, you stand someone in front of a bright window, your eye can still tell who that person is . . . but the camera can not, at least, not without help. Your eye will zoom into a person's face and ignore that bright light around them, but the camera will not.
The camera's whole purpose in life is to make an image that is 18% gray. Long ago, someone decided that 18% gray was as close to the human eye, as a camera can get. But if for example, 80% of the picture frame is filled with light that is brighter than 18% gray, what does the camera do? It tries to average out the given light. It will take your best friend and makes him or her, a silhouette. Don't get mad at the camera, it's only doing what it's told to do.
Remember, if you want a subject to actually be white (a wedding dress for example) you will have to give the shot more light than the camera suggest. If you want it to actually be black, (a black horse for example) you have to give the shot less light than what the camera is indicating.
I like using a flash and do so about 80% of the time. Some events won't allow a flash indoors. If that's the case, get a higher speed film (400 or 800 ISO) and use a tripod. If you can't give a subject more light, give it light for a longer period of time. If you use a flash, the camera speed is usually about 1/125th of a sec. or faster. But if you’re not allowed to use a flash for example, you may shoot available light at 1/30th of a sec. or slower. (That's why I also suggest the tripod.)
I use flash more than most photographers I know, even outdoors, (when I happen to be shooting people, that is). Why? Just because there’s plenty of light, doesn't mean that it's the right kind of light. Bright light (like at high noon) causes harsh shadows. I can give a short burst of flash (commonly called: "Fill Flash"), and suddenly my colors are more vibrant and the shadows are less harsh. Keep in mind, if you don’t want the flash itself causing harsh shadows it has to be higher than your subject. That’s why studios use those light stands to begin with.
You have to make the decisions about how to expose your photos, not the camera. The camera is only a guide, but it has no artistic taste. It will only do what it knows how to do, which means it will give you an average exposure. If you want your shots to look extraordinary, don’t rely on just an average reading. There are 26 letters in the alphabet, but not every combination makes a great novel. What you do with those 26 letters determines if you are a great writer. What you do with the information your camera has, determines whether or not you are a great photographer.
About the Author
Award winning writer / photographer Tedric Garrison has 30 years experience in photography. As a Graphic Art Major, he has a unique perspective on the Elements of Design and how those elements relate to all aspects of photography. His photo eBook (Your Creative Edge) proves that creativity CAN be taught. Tedric shares his wealth of knowledge with the world, at: Better Photo Tips.com
Studio Light Stand Accident - Not likely!















































































![The Sea of Memories (Deluxe Edition) [2 CD Set - 6 Bonus Tracks]](http://www.stephenhollisphoto.com/media/images/i/51QHJd6izeL._SL75_.jpg)






